INSTEP Comment Making a case for the unconventional Susan Boyle's fantastic debut on YouTube has telling lessons for the Pakistani music industry and proves that at the end of the day, it is really talent that should count.
Saba Imtiaz
The minute - on that
watched by millions YouTube video - Susan Boyle opens her mouth to belt
out a fantastic version of 'I Dreamed a Dream', is enough to shatter
any illusions one may have about how big a role image plays in how one
views musicians. For years, one has seen a parade of pretty people on
Pakistan's television screens: singers
who should have only been allowed to sing in the shower becoming
popular because they have a flashy video and a flashier wardrobe to
boot. It is a telling sign of how immense the role is of image
makeovers in Pakistan: the minute someone flashy comes on screen it is
instantly assumed that this person must be talented. Whether it's a
trickle down effect from Indian television glamourizing everything,
including daytime soaps, or a result of globalization, one doesn't
know. But the image seems to have overpowered talent.
And this hasn't been a
new phenomenon. Nusrat Fateh Ali Khan - the late revered singer - often
spoke of his displeasure at how his songs had become accompanied with
flashy videos in India (the Lisa Ray video for 'Afreen Afreen' being a
prime example) and it was the media boom in Pakistan that made an image
makeover so essential for anyone looking to break into the mainstream.
For years before that - particularly in the era of Music Channel Charts
- one judged music on the basis of what it was, as opposed to how
good-looking it was. Whether it was a longhaired Sajjad Ali, a
dishevelled Dr aur Billa, the dorky Fakhr-e-Alam: these were all stars
in Pakistan during those years that saw the music industry make a
significant breakthrough.
But from Susan Boyle, one
has been oddly reminded of those years. Of course, there are still
musicians who have kept their own identity: Ali Azmat being an example
of having stayed away from being overtly stylized for his videos. But
the more important question here is: is there still a space in Pakistan
for those who aren't conventionally beautiful?
One would think yes.
After all - it is still talent that has managed to remain above the
floating melee of average singers - it is singers like Shafqat Amanat
Ali and Rahat Fateh Ali Khan that are amongst the most popular in
Pakistan. However, even they have managed to become so popular because
of their playback singing for Bollywood films, the videos for which
inevitably feature one big name star or the other. Would 'Mitwa' have
been such a big hit had the video not entirely comprised of Shah Rukh
Khan?
And one must realize that
the glamour quotient has only come with the mainstream pop/rock sound.
With artistes from folk/qawwali music - one has never seen an effort to
be dolled up for the cameras. One only needs to see people like Abida
Parveen, Reshma, Pappu Saeen, Saeen Zahoor and any renowned qawwali
group to know that while they may not be sporting designer outfits and
blow-dries, their performance is never anything short of excellent.
And so, one hopes that
the example of the 47-year-old Susan Boyle teaches the Pakistani music
industry that at the end of the day, it really is talent that counts.
An example of this was Ali Zafar's rendition of 'Allah Hoo' at last
year's Coke Studio; a performance that saw Zafar move away from years
of belting out tunes with very catchy hooks to a singer who truly
proved his musical prowess. At the end of the day, it shouldn't matter
if you're 20 or 40, if you look like a case for an Extreme Makeover or
not. If you've dreamed a dream - ala Susan Boyle - go for it sans the
makeover. |